I’m not sure what came first. My uncle Michael turning me onto Johnny Adams aka ‘the Tan Canary’ or the night I was playing pool at a now closed drinking establishment in the French Quarter. All I can say is ‘Good Morning Heartache’ floored me. I was admittedly lured in by the album (actually CD…) cover (shot by Rick Olivier), but there was something about Johnny Adam’s voice that captured my attention from that point forward.
Fast forward, many years later — here’s part of an interview with Scott Billington, a man greatly responsible for recording musicians who got their start as far back as the late 1950s, beautifully — that’s definitely the case with these 9 albums.